Tag: Joe Mish

Jimmy Rides Again!

Article and photos by Joe Mish

As elated as Lewis and Clark upon reaching the Colombia River, Jimmy and I proudly pose with our intrepid craft , “The Wild Turkey”, in the back of an old Ford Pickup

The eternal waters of the South Branch flow with memories and reflections, kept safe for those who have opened an account along its banks and written their story upon its waters.

I have a longstanding account, opened years ago, from which I make occasional withdrawals. The memories are recalled, polished with reflection and returned for safe keeping.

Hazy events, prompted by a scrap of paper that fell from one of my books, brought a canoe journey made decades before, into sharp focus. The lined, yellow paper, in my handwriting, was a record of time and places noted on a trip down the South Branch to the sea with my good friend Jim Serchio.

Jim worked across the hall from me in the pharmacology department at J&J. Intrigued by my stories of paddling solo to the mouth of the Raritan River; Jim recruited himself to join me on another run to the sea.

A hasty plan was hatched and a day chosen. We would launch from Main st in Clinton and paddle down to Keasbey. I would then walk to ‘Billy Vack’s Loop In’, an old iron workers bar located under the Parkway bridge, phone my brother-in-law, and get a ride in his pickup truck to my parent’s home, about three miles away.

The chosen canoe was my old canvas covered 1910 Old Town OTCA 16 named the “Wild Turkey”. Now stripped of canvas and covered with fiberglass, the hull was painted a flat, dead grass green and weighed in at about 85 pounds.

No cooler, just a couple of blue cushions and two guys in the canoe headed downstream. Jim was brilliant guy, studying biomedical engineering. I suppose it was his scientific inquisitiveness which finally prompted him, once we were underway, to ask, how long would the trip take. In my best carefully calculated estimation, I answered, “pretty much all day, we should be there before dark”.

As we passed under interstate 78, just after launching, I noted the time on my scrap of paper. Every time we passed a landmark, clock time was recorded.

Route 202 was reached at 9:23 am.

Looking over the sequence of shorthand notes, I now realize we had paddled under and over landmarks that are now gone or restored differently from their original form. Many of the metal bridges have been reconstructed over the years, their fieldstone supports now replicated by fieldstone veneer. I counted five bridges between Clinton and rt 31. The old dam we portaged below Dart’s mill is now essentially washed away. One bridge downstream of Neshanic station was not yet constructed. The scenery on the same trip today would be quite different.

Route 206 was reached at 1:09 pm

One entry made at 2:45 just before the second downstream pass under interstate 287 makes me smile; I wasn’t smiling then. I recorded the word ‘surgery’.

There was the wreckage of an old wooden bridge just before the last pass under I 287. It blocked our passage so we had to go up and over. As we set the heavy boat down on the rough planks, we did not see a huge spike that punctured the hull below the water line on the starboard side. The situation was looking grim as we were about to enter tide water on the last six hours of the trip. This meant navigating a running tide and staying clear of the main channel to avoid the large wakes churned up by tugboats and deep hulled pleasure craft.

Undaunted, we set the boat back in the water and began down river to see how bad the leak was. It was bad, real bad. How were we possibly going to finish. Pulling to shore, we looked around the debris, left by high tide, for a possible solution. Seeing a piece of yellow polypropylene rope, I had a flash of brilliance. As a kid I loved playing with fire, burning all sort of material including little plastic soldiers. The drops of melting plastic would quickly cool to form rock hard globs and even make a neat hissing sound as it dripped. On a hunch, I took the piece of rope, set it ablaze and dripped the plastic into the large hole in the hull. A perfect watertight fit and we were on our way.

At 4:30 we passed under rt 27, the low water encountered from 287 to Landing Lane Bridge road really slowed our progress. Now we had to deal with the wakes of large watercraft, which showed no mercy to two guys in a canoe. The resultant waves forced us to divert course, turn the bow into the wake and then re-correct to head downriver.

We passed the old drydock across from Crab Island at 6:15 and finally reached our destination under the New Jersey garden state parkway bridge, the former site of the Keasbey Outboard Motor Club, at 7:05pm.

While Jimmy entertained the bystanders, I headed up to Billy Vack’s to call my brother-in-law.

When I returned to the boat and Jimmy, someone asked where we put in. We were actually embarrassed to say, Clinton. We figured they wouldn’t believe us.

Our ride soon arrived and we could finally relax. We did it! Paddled from the NJ highlands to the Mouth of the Raritan river in about 12 hours in a 1910 Old Town canoe pressed into service for an epic journey to the sea.

Jimmy passed away a few years later from a medical procedure gone badly.

I still have the canoe and think fondly of the epic river journey shared with my good buddy Jim. The diary of times and places serves as a reference for memories and the ever changing river landscape.


Two of three pages from the ship’s diary, documents the journey of “The Wild Turkey” and its crew, serves to sharpen the memory of a dash to the sea by two friends in a turn of the century canoe.

Author Joe Mish has been running wild in New Jersey since childhood when he found ways to escape his mother’s watchful eyes. He continues to trek the swamps, rivers and thickets seeking to share, with the residents and visitors, all of the state’s natural beauty hidden within full view. To read more of his writing and view more of his gorgeous photographs visit Winter Bear Rising, his wordpress blog. Joe’s series “Nature on the Raritan, Hidden in Plain View” runs monthly as part of the LRWP “Voices of the Watershed” series. Writing and photos used with permission from the author.

Along the South Branch: Connected!

Article and photos by Joe Mish


Bear have no need to read signs, much less pronounce the names of obscure creeks, to figure out where they are going. They just put one foot in front of the other and see where it leads.

Two yearling bears curled up to sleep in a jumbled embrace, to form a single pile of pulsating fur, from which random legs protruded.

Upon waking, one bear walked downhill 500 paces to its right, the other 500 paces left, each bear seeking to satisfy its thirst in the nearby streams.

Rested and full of adventure, thirst satisfied, both bears began to follow their respective stream in the direction the water flowed.

One bear followed Plum Brook to Wickecheoke Creek and ended up on the Delaware River, while its sibling rambled along the Second Neshanic River, to the First Neshanic River, to the Neshanic River, to the South Branch of the Raritan River, to the Raritan River

The two streams, arising from springs, on each side of a common ridge, a mere half mile apart, lead to the state’s opposite coasts. Together the streams form a direct pathway from coast to coast.

We live in a provincial world defined by geopolitical borders, reinforced by the scale of our self-imposed home range. When we travel US route 1 in New Brunswick, we never consider that if we go straight, instead of turning into Chipotle, we end up in Caribou, Maine or the Florida Keys. Same situation as the two bears.

Whether tracing the tracks of a rambling bear down a watery trail to the coast, or a paved highway to opposite ends of the continent, we begin to see a connectivity to distant places.  Artificial borders fall away and perspective comes into focus. Taken to the highest resolution, we see that celestial events in the cosmos dictate the requirements and conditions for life on earth.

Adjust the resolution and closer to home we see the Atlantic flyway, a major bird migration route from the arctic to Mexico. Events at either end of the spectrum and along the flyway, can have a dramatic impact on population dynamics of many species.

Preserved lands like the Rachael Carson National Wildlife Refuge in Maine and the Edwin B. Forsythe National Wildlife Refuge in New Jersey are just two of many areas critical to migrating, nesting and overwintering avian activity. Private lands cannot be overlooked and must be appreciated for their valuable contribution outside established state and federal refuges and wildlife management areas.

On a smaller scale, though still expansive, is the critical need for linear greenways in an area broken into isolated segments of habitat.

Many reptiles, amphibians and furbearers are impacted. Isolated populations require a critical amount of genetic variation to remain viable into the future.

Slow moving turtles such as the bog and eastern box turtle are especially threatened. They are now exposed to predators and cars on their journey to lay eggs or migration forced by habitat loss. To celebrate the establishment of isolated patches of open space is misplaced, if a pathway is not considered.

Concerned with isolated habitat and lack of greenways connecting them, the State of NJ, Dept of Environmental Protection, Natural and Historic Resources, Div of Fish and Wildlife, has established a program to examine the impact of isolated habitat and genetic variation. Their program is CHANJ- Connecting Habitat Across New Jersey.

“The goal of this project is to collect DNA samples from a variety of native, terrestrial mammal species across NJ that represents the spectrum of movement capabilities. The genetics analysis will help us understand the impact of landscape fragmentation and road barriers on wildlife mobility.”

I have volunteered to participate and collect tissue samples from roadkill or harvested animals. Please contact me if you spot a fresh roadkill other than deer; jjmish57@msn.com

Far away places exist only in our limited imagination, programmed with a distorted sense of scale. Put one foot in front of the other and see where it leads.

Author Joe Mish has been running wild in New Jersey since childhood when he found ways to escape his mother’s watchful eyes. He continues to trek the swamps, rivers and thickets seeking to share, with the residents and visitors, all of the state’s natural beauty hidden within full view. To read more of his writing and view more of his gorgeous photographs visit Winter Bear Rising, his wordpress blog. Joe’s series “Nature on the Raritan, Hidden in Plain View” runs monthly as part of the LRWP “Voices of the Watershed” series. Writing and photos used with permission from the author.

December – A Fall into Light!

Article and photos by Joe Mish

A female cardinal fluffs up her feathers to ward off the cold, as winter wind sweeps the snow covered landscape.

The first breath of winter is felt in the last days of December’s autumn. The frigid wind, intent on erasing the last vestige of fall color, convinces reluctant rusted oak leaves to cleave from their lofty anchorage and sail free. The dry, stiff leaves rattle their objection before finally letting go to add depth to the leafy woodland carpet laid in October’s grand leaf fall.

The branches swept clean of obstruction; darkness deepens as theatre lights fade to heighten the drama of winter’s opening curtain featuring the winter solstice and the birth of light.

The winter solstice describes the time of the year at which the tilt of the earth is such that the sun appears at the lowest point above the horizon. ‘Solstice’, directly translates to, ‘sun stands still’. An impression one gets when the earth’s tilt changes to make the sun appear to halt an instant before it changes direction and ‘rises higher’ on the sky on the first day of winter.

Early observers reasoned the earth was a stable platform and the sun moved from one horizon to the other, above the earth. During the course of the year, the height of the sun was noted each day, measured in some primitive way. Stonehenge comes to mind as one version of tracking periodic celestial events, which led to the concept of time. Days and months were easy events to track and filled in the gap to mark time and define seasons.

That predictability was noted and celebrated as a whisper from the gods, sharing the future forecast of animal migration, weather and plant succession with those who pleased them.

The shortest day of December, which translates to the darkest day of the year, occurs on the last day of autumn. At the instant of the deepest darkness, the wick of the winter candle is lit, glowing like a beacon, getting brighter each day as winter progresses.

Look at a sunrise/sunset chart, cross referencing minutes, hours and days against months, to provide a visual representation of day length over time. Though you may not have noticed the change over a few days, you are now conscious of the minutes of light gained each day. That tangible bit of information acts like bio feedback and goes a long way to physically quell the sadness that the dark winter will never end.

Even if you forgo charting daylight, your body has physiologically evolved to capture trending day length and alters your hormones and mood accordingly. The pineal gland at the base of the brain monitors the day length to mediate release of hormones, primarily melatonin, which affects sleep cycles and behavior.

An odd situation, when you consider that while being consciously unconcerned or oblivious to changes in day length, your pineal gland is hard at work, keeping track.

A candle, glowing in a distant window, giving off a flickering halo of warm amber light, is a perfect tribute to mark the early days of winter and celebrate the birth of light.

This year, winter arrives December 21, at 5.22 pm, so make a conscious effort to mark the time and celebrate the first flicker of light that grows longer each day to make the winter much brighter and improve your mood.

December owns first rights to freezing weather and whimsically decides just which week will host the initiation of winter. The calculated movement of the planets determine the exact moment of the winter solstice right down to the second. Practically, however, winter begins when December decides.

Author Joe Mish has been running wild in New Jersey since childhood when he found ways to escape his mother’s watchful eyes. He continues to trek the swamps, rivers and thickets seeking to share, with the residents and visitors, all of the state’s natural beauty hidden within full view. To read more of his writing and view more of his gorgeous photographs visit Winter Bear Rising, his wordpress blog. Joe’s series “Nature on the Raritan, Hidden in Plain View” runs monthly as part of the LRWP “Voices of the Watershed” series. Writing and photos used with permission from the author.

November – the Far Side of Autumn

Article and photos by Joe Mish

Expect the unexpected when you look up into the leaf bare November woods. Here a red fox walks up a leaning tree to rest 30 feet high in the crotch of an adjoining tree. Red fox are not known to climb trees as are gray fox., but this fox channeled his inner gray fox to climb to dizzying heights.

November is the far side of autumn, a time when the colorful drapery of October is taken down to reveal the bare structure, upon which fluorescent orange leaves once hung.

The change in scenery is quite dramatic, as we pass through the colorful curtain that decorated the first full month of fall. I imagine standing behind a waterfall where colorful autumn leaves flow like cascading water to create a transparent wall of scarlet, orange and yellow. As I reach out to part the flowing colors, I step forward into November.

Linear brush strokes of gray and brown now dominate. Light and rain play with intensity of tone as the bare trees alternate between tans and gray to darker shades of brown and black. Rain saturates the branches to shift subtle earth tones to the bold end of their color spectrum.

The fading light of dusk and early light of dawn erase all color to turn trees into black silhouettes. The interlaced network of branches and solitary trees become one dimensional, as any perception of depth is lost against the stark contrast enhanced by the loss of daylight.

A dynamic lightshow in the sky then commences with a pale yellow glow as the sun departs over the horizon to melt into a pool of fiery orange. When the unmoving silhouetted trees are viewed against the ever changing celestial color spectrum, the still scene becomes a cinematic event.

Stars begin to appear well before the sun’s aura fades. Their sparkling silver brilliance is held against an even colored, dark blue night sky, making the perception of depth impossible to detect. Here, the background is static and the stars sparkle with energy. Just the opposite occurs where trees appear one dimensional and static, while the sky is alive with changing color.

All these theatric opposites combine in a single scene to create an inspiring, though brief preface, to the end of a November day.

A walk through the November woods cannot be more dramatically different than experienced a month before.

Strolling within the woods, beneath the canopy of trees, now without their leafy crowns, the lattice work of a branched arbor is apparent. Since late spring, a cloud of leaves dominated the view, banning shadows and sunlight.

A day time stroll on a sunny day or moonlit night, allows light to play with trunk and limb. Gnarled branches, which fought for their place in the sun, form grotesque figures that groan in the wind. The source of the sounds impossible to locate, lend a ghostly atmosphere even in the light of day. Shadows that begin to arise from a subterranean prison at the base of large trees, appear as immovable as the tree from which it escaped.

Turn away and back to find the shadow has imperceptibly moved, as it circles the tree to close the distance between you.

Walk along silently on the rain and color soaked carpet of October and let your imagination run wild. Animals and portions of human like figures, frozen in the transition of creation, hang like spare parts growing from trees.

While November is no one’s idea of autumn, given the cold, frost, barren landscape and introductory snowfalls, the month ends 21 days short of winter.

Author Joe Mish has been running wild in New Jersey since childhood when he found ways to escape his mother’s watchful eyes. He continues to trek the swamps, rivers and thickets seeking to share, with the residents and visitors, all of the state’s natural beauty hidden within full view. To read more of his writing and view more of his gorgeous photographs visit Winter Bear Rising, his wordpress blog. Joe’s series “Nature on the Raritan, Hidden in Plain View” runs monthly as part of the LRWP “Voices of the Watershed” series. Writing and photos used with permission from the author.

Autumnal Blush

Article and photos by Joe Mish

Shades of fluorescent orange, used to color the dawning day, dripped from the palette  of the celestial artist to set the autumn woods on fire.

Waves of celestial orange roll over the treetops to set the autumn woods ablaze.

The white, early morning autumn mist hung motionless above the flowing dark water of the South Branch. As dawn approached, the rising sun turned the eastern horizon into a glowing red-hot coal that lit the pale mist with an orange blush.

The trees along the river were immersed in the flood of pre-dawn mist. Some completely hidden and others partially protruding as dark brown silhouettes floating adrift on a misty sea.

As the sun arose, it was as if watching an artist at work laying base colors and adding tints to bring a charcoal sketch to life. The changing light and rising temperature caused the orange mist to vanish as entire trees appeared from the mist, revealing splotches of vibrant fall color.

It is easy to imagine the changing colors of the sunrise were infused into the river mist to wash over the treetops and set their leaves ablaze.

The same spectrum of color seen in the eastern sky at dawn can be found in the fall foliage not flooded by river mist. The full visible spectrum from violet through red and orange, to pink, salmon and yellow are shared as the tree tops meet the sky’s loaded paint brush.

A mere splash of color in early autumn is all that is needed to set the late October woods ablaze. Each living drop of color slowly expands to cover the entire leaf as the season progresses. Its radiance now sets adjoining leaves aglow until the entire woodland canopy is bathed in bright color.

Retreating skyward to a time lapsed satellite view, the expanding colors can actually be seen migrating south. The green foliage appears to be consumed by the advancing flames of the autumnal fire.

Poetic inspiration imagines it is the weight of intense color that causes the leaf to depart the branch.

Gusts of wind stir the treetops to recruit a shower of shimmering color in a free fall final dance for which the tethered leaves had been rehearsing since spring.

The first leaves to fall are contributed by the black walnut and ash trees. Impatient for some reason to drop their leaves. They stand naked among the still well-dressed oak and maple associates just beginning to change color.

A stand of Norway maples grew thick along a low ridge that bordered a sloping cornfield. Their brilliant yellow leaves carpeted the ground and reflected light upward to brighten the understory and set the leaves aglow. The lowest leaves fought for their share of light all season and grew oversized in the effort. The reflected light penetrated the deep shade to illuminate these outsized yellow beacons to celebrity status.

The change of leaf color during autumn has a well-established scientific explanation. Though a longer held belief declared, without question, the color was the work of an ethereal magician.

It is easy to subscribe to that belief when you see a green leaf turn fluorescent orange, a color otherwise unknown in nature. The only place to see that color was in the flames of a fire or in the distant heavens to mark the sun’s arrival and departure.

The fall color is best seen as magic, to set your imagination free and escape to a quiet place where all things are possible.

Author Joe Mish has been running wild in New Jersey since childhood when he found ways to escape his mother’s watchful eyes. He continues to trek the swamps, rivers and thickets seeking to share, with the residents and visitors, all of the state’s natural beauty hidden within full view. To read more of his writing and view more of his gorgeous photographs visit Winter Bear Rising, his wordpress blog. Joe’s series “Nature on the Raritan, Hidden in Plain View” runs monthly as part of the LRWP “Voices of the Watershed” series. Writing and photos used with permission from the author.

A Brilliant Jewel in New Jersey’s Treasure Chest of Natural Wonders Revealed

Article by Joseph Mish, photos by Joseph Mish and Brian Zarate

A moment in the sun. The elusive and rare bog turtle, aka Muhlenberg turtle, is captured in this image by Brian Zarate.

The smallest and rarest turtle in NJ has emerged from the obscurity of its muddy bog to celebrity status as the bog turtle was recently named New Jersey’s state reptile.

The bog turtle was first scientifically cataloged by botanist Gotthilf Muhlenberg at the approach of the 19th century. In honor of the discoverer, this diminutive reptile was named Clemmys muhlenbergii. It was commonly known as the Muhlenberg turtle until the vagaries of taxonomic nuance christened it the bog turtle, one hundred and fifty-six years later.

The bog turtle averages a bit less than four inches in length. To visualize its size, write its scientific name on a piece of paper and that length will approximate the size of the turtle.

The blaze orange patch on the side of its head provides unmistakable and instant identification. The orange color glows like a brilliant gem. Stare at it for a moment and the turtle magically materializes from its muddy background.

The overall appearance of the turtle is a grayish black, though on closer inspection there are varying degrees of dull orange skin and freckles especially at the base of the front legs, neck and face. The carapace or ‘top shell’ is covered by ridged scutes or horny segments, comparable to fingernails. Faint amber markings may sometimes be seen on the shell, their appearance dependent on age or accumulated mud.

The small size, secretive habits and specialized habitat requirements restrict the presence of this turtle to very defined regions of the state.

As its name suggest, these turtles prefer open boggy areas fed by clear springs or streams. Skunk cabbage and jewelweed, aka, ‘touch me not’, are easily identifiable plants commonly found in bog turtle habitat. Pasture lands are desirable locations as plants and grasses are kept in check by grazing cows to maintain optimum preferred habitat. Deep mud, constantly infused with spring water, provides ideal hiding places and protection from freezing during winter hibernation.

Tree stumps protruding from the bog and raised islands are preferred locations to lay eggs. Females seek these drier places within the bog to lay eggs as opposed to other turtle species which travel quite far from home.

To illustrate the secret life of the bog turtle, a friend who was a conservation officer, stopped to investigate a car parked alongside a road in north Jersey. He came upon two researchers following signals from a bog turtle equipped with a transmitter as part of a study project. Nothing could be seen to indicate a turtle was present. The signal, however, indicated its precise location and after digging deeply into the mud, there was the turtle alive and well!

Bog turtles are considered to one of the rarest turtle species in the United States.

The bog turtle had been declared ‘endangered’ by the state in 1974 and ‘threatened’ by the US Fish and Wildlife Service in 1997. Population estimates are speculative, as some articles cite the total population in the eastern US as 2,500 to 10,000 and ‘fewer than 2,000’ turtles in NJ. The Bog Turtle Project states 168 colonies have been identified. Equal distribution of 2,000 turtles over 168 locations cannot be assumed and further emphasizes the rarity of this precious gem.

Among the locations identified, there are a select few, which have a large enough gene pool to ensure a viable population into the future. While turtles found in isolated micro habitats are vulnerable to insufficient genetic variation.

In both situations the loss of contiguous habitat is a deadly threat, as a segmented environment limits migration and thus genetic variation as well as exposing animals to predators, mowers and vehicles.

Loss of habitat is a major threat to bog turtles as well as many other species.

Invasive plants, like the familiar purple loosetrife and phragmites, dominate areas to destroy plant diversity and alter soil porosity which in turn eliminates the cascade of insect and invertebrate life upon which the bog turtle feeds.

purple loosestrife invasive plant chokes out native grasses reduces invertebrate diversity

More turtles may yet be found by wild chance, though by no means can their presence be considered widespread as is the case with more common species like painted and snapping turtles.

Suffice to say the description of ‘rare’ is understated when used to describe the bog turtle.

The designation of ‘state reptile’ is not an endearing term to the general population. I like to think of the bog turtle, as one in a series, of New Jersey’s unheralded natural treasures.

Read about the NJ Bog Turtle project at

https://www.state.nj.us/dep/fgw/bogturt.htm

More references for bog turtle information.

https://www.nj.gov/dep/fgw/ensp/pdf/end-thrtened/bogtrtl.pdf

http://www.conservewildlifenj.org/species/fieldguide/view/Glyptemys%20muhlenbergii/

Should you find a bog turtle, report it and keep the location secret, as this turtle is high on the list of the illegal wildlife trade.

Report any discovery to the state at: https://www.state.nj.us/dep/fgw/ensp/rprtform.htm

Whenever I see a turtle, I always wonder how old it might be and compare it to events in my life. Most age ranges provided for wild creatures are speculative and based on captive animals or hard data collected from tagged wild animals. A bog turtle tagged in 1974 and estimated to be about 30 plus years at the time was again found in 2017, which places its estimated age at around 65 – 70 years old! That age range allows young and old to ponder what was going on in their life at any point in that turtle’s parallel life.

Thirty something years ago when that turtle burrowed deep into the mud to hibernate, my daughter was born in Muhlenberg hospital. A local hospital named after the son of the discoverer of the bog turtle, aka Muhlenberg turtle. The legislation to proclaim the bog turtle the official state reptile was co-sponsored by Kip Bateman of Branchburg. It would be a further coincidence to find and report the discovery of a bog turtle community within Branchburg!

Author Joe Mish has been running wild in New Jersey since childhood when he found ways to escape his mother’s watchful eyes. He continues to trek the swamps, rivers and thickets seeking to share, with the residents and visitors, all of the state’s natural beauty hidden within full view. To read more of his writing and view more of his gorgeous photographs visit Winter Bear Rising, his wordpress blog. Joe’s series “Nature on the Raritan, Hidden in Plain View” runs monthly as part of the LRWP “Voices of the Watershed” series. Writing and photos used with permission from the author.

What’s the Point?

Article and photos by Joe Mish

My South Branch office is made of kevlar and weighs 52#, well lit with natural light and leaves no trace. A perfect vehicle for discovering New Jersey’s natural treasure hidden in plain view.

Every once in a while, it is useful to check your back trail to validate your current course. For the last few years I have been attending the Rutgers sponsored, ‘Annual Sustainable Raritan River Conference’ and was introduced to the people and effort dedicated to improve the water and land that make up the Raritan River basin.

It was strange at first to hear someone else talk about my river. There was a moment of concern, a tinge of jealousy, that my ownership of the river was being usurped by strangers, some not even native to New Jersey. I soon realized I was among kindred spirits. It was like meeting long lost relatives….. whose company you sincerely enjoyed. Each member contributed a critical piece of the puzzle, whether a citizen, volunteer or a degreed scientist, each perspective complimented the other, and occasionally there was the discovery of a piece no one knew was missing. The symposium took the threads of individual effort and wove them into a whole cloth.

I was pleasantly surprised, the focus of the conference dovetailed perfectly into my goals and objectives. It also prompted me to revisit what I hope to accomplish with my images and words, given the current status of New Jersey’s relationship with its natural treasures.

Today New Jersey enjoys a natural inheritance that is the sum of the legacy left by generations of agrarian, industrial and residential development. Sacrificed in the name of progress, our natural and wild treasures are reputed to have been diminished to a vanishing point in the wake of the great human juggernaut. However, despite New Jersey’s recurring reputation as the most densely populated state in the union, wildlife is found to proliferate along its river corridors, highways, woods and fields. Much of this wildlife existed before the establishment of farms, whose disappearance falsely signals the surrender to unabated construction and development. The farms and cows are actually late-arriving interlopers, highly visible and used as a convenient but inaccurate measure of our intrinsic wild and natural resources. It is the presence or absence of cows that form the basis for politically subjective land use decisions.

Even the most ardent nature-oriented residents are often oblivious to the richness and distribution of this state’s natural treasures. Regional areas, reputed as nature destinations, add to obscure our natural treasures as their existence implies an absence of nature except where designated. Combine this with the perspective of the nature-neutral and nature-oblivious residents and it is understandable how the nature sterilized image of New Jersey arises from within and grows with distance to earn a national and global reputation as “the ghost of nature past”.

Against this background my photographic intentions range from historic documentation of ephemeral wild moments to portraiture revealing the energy and dignity of the creatures that covertly exist among us. What the camera misses the words capture, what the camera sees the words enhance.

The articles are a blend of literary flourish embedded with scientific information as much for entertainment as to arouse curiosity. I wish to create a gravitational pull of curiosity that draws the reader to seek deeper knowledge. Hopefully some youngster will be intrigued enough to pursue more detailed information and perhaps launch a career in science.

One reason New Jersey’s natural treasures remain hidden in plain view is because of prejudice and limited expectation. The best way to remedy this, is to change the lens through which our natural world is viewed. I do this by presenting stories and information from unique perspectives, along with images of wildlife most have never seen and many more don’t believe exist so close to home.

When I consider my place in the effort to restore the rivers, I see me operating on the interface between art and science. I walk that line to help transition attitudes and open eyes to a new reality fostered by creativity and imagination.

Rutgers fish camera at Island Weir Dam on the Raritan River is now online.

http://raritanfishcam.weebly.com

Author Joe Mish has been running wild in New Jersey since childhood when he found ways to escape his mother’s watchful eyes. He continues to trek the swamps, rivers and thickets seeking to share, with the residents and visitors, all of the state’s natural beauty hidden within full view. To read more of his writing and view more of his gorgeous photographs visit Winter Bear Rising, his wordpress blog. Joe’s series “Nature on the Raritan, Hidden in Plain View” runs monthly as part of the LRWP “Voices of the Watershed” series. Writing and photos used with permission from the author.

Luci in the Sky with Diamonds

Article and photos by Joe Mish

Another magic moment revealed itself in a face to face encounter with a deer fawn enjoying the cool water of the South Branch. The pattern and contrast of spots on the fawn is reminiscent of the firefly spectacle and becomes a walking billboard for the upcoming bioluminescence night show.   

While September marks the celestial end of summer, it does little to extinguish the glow of lingering warm weather memories that ebb and flow well into the cold months. The longest lasting memories often have a magical quality about them. Sometimes the spell only lasts until the event can be explained and sometimes the magic can’t hold a candle to its reality.

This year mid to late June showcased a bumper crop of fireflies or lightning bugs as they are often referred. Who hasn’t seen a lightning bug flitting around their yard? Big deal! Well it is a big deal if you see the intense display of luminescence played out in a grassy pasture surrounded by tall trees on a moonless night.

Beginning just before dark, with a growing intensity, the concentrated fireflies put on a dynamic light show guaranteed to hold your attention until the curtain begins to fall at around 11 pm. Strangely enough the moving flashes of bright yellow light contrast against the black darkness to steal away any perception of depth or relative position. Stare long enough and you might lose your balance. The scale, intensity and contrast of this visual phenomenon does much to anesthetize any thoughts of logic and scientific understanding from creeping in to spoil the moment. The experience is heightened by our primal esteem of fire and light to reflect upon our souls as we surrender to the magical display of luminescence.

Fireflies are the stuff of childhood memories. Many a captive luminary flashed a desperate signal through the clear glass of a Skippy peanut butter jar. Our fascination soon ended with puberty to become an unremarkable footnote in our adult lives.

Read on and you might want to salute every time you see a lightning bug.

Fireflies belong to the family Lampyridae, so even without knowing Latin, the assignment makes sense. It was about 1948 that the luminescence was isolated but unusable until years later when sufficient quantities of the material could be produced. The firefly’s light is created by using a combination of luciferin, an enzyme named luciferase and ATP. Lucifer in Latin can be translated as ‘light giver’. Lucid is a word that means clear and derives from the Latin word for ‘light’. To the uninitiated luciferin sounds like something the devil had a hand in. Amazingly when compared to a misnamed “light bulb” almost all of the lightning bug’s light energy goes to creating light while the “light bulb” is said to produce 10% light and 90% heat.

Typically poisonous plants and animals are brightly colored to warn away potential predators. So it is with lightning bugs that they contain a substance similar to digitalis. Veterinary journals report many exotic lizards kept as pets die each year when owners try to vary the pet’s diet by feeding them lightning bugs

Worldwide there are many species of fireflies. Our local bugs display the luminescence as adults and as larvae. In fact the larvae are predatory and eat earthworms by injecting a mix of enzymes and probably anesthetic into the worm and then sucking out the blended juices. Often referred to as glow worms, firefly larvae will intensify their light when stressed not unlike you turning red in anger or embarrassment.

Female fireflies climb onto tall grasses or shrubs as they cannot fly. All the flashers cavorting in the night sky are the males. When a female finds a flash pattern she likes she signals to the male in similar fashion to ‘come on down’.

Recently with the advent of genomic research and the clinical application of gene therapy, bioluminescence has been recruited to make stunning inroads into medical research. Attaching a bioluminescent gene to a cancer cell allows researchers to follow the progression of cancer cells from the moment they are injected into animal models. Up until now, researchers would have to wait months after inoculating animals with cancer cells to see the manifestation of clinical or laboratory effects. The incubation period for tumor production was a blind spot that has now been revealed with the help of the common firefly. Immediately the distribution of cancer cells can be followed as it spreads through the body and does battle with our rather effective immune system. Immediately the effectiveness of cancer therapies can be tracked and adjusted or changed.

These light producing cells can be attached to bacteria as well in the study of anti-infective drugs. Imagine a visual image of bacteria spreading throughout an animal’s body, injecting medication and seeing immediately the effectiveness of the trial drug and dosage.

Last of all consider the myth surrounding the old favorite Beatles tune, “Lucy in the Sky with Diamonds”. Most Beatle’s fans agree the title of the song came from the Fab Four’s immersion in the psychedelic drug culture. I, however, contend the song was named after watching a mid summer’s spectacle of lightning bugs flashing in the sky like diamonds courtesy of Luci- ferin and Luci-ferase.

Author Joe Mish has been running wild in New Jersey since childhood when he found ways to escape his mother’s watchful eyes. He continues to trek the swamps, rivers and thickets seeking to share, with the residents and visitors, all of the state’s natural beauty hidden within full view. To read more of his writing and view more of his gorgeous photographs visit Winter Bear Rising, his wordpress blog. Joe’s series “Nature on the Raritan, Hidden in Plain View” runs monthly as part of the LRWP “Voices of the Watershed” series. Writing and photos used with permission from the author.

Image of an Eagle

Article and photos by Joe Mish

Rose gets a green aluminum band affixed to her left leg and a silver band to her right leg. Green is the band color used by NJ and silver is a federal band. Each state uses a specific color to quickly identify a banded eagle’s origin.

 

Over last century as the northeast bald eagle population dwindled, their image flourished as a marketing tool to brand high end merchandise. Gilded eagles sat upon flag poles in parades and auditoriums. Dollar bills and quarters bore engraved, lone eagles, wings spread and talons flared, about to attack at the least provocation.

 

Never did any image show more than one eagle, even though they mate for life and are dedicated parents. As a generation, we came to know eagles as powerful solitary creatures frozen in iconic poses. There was nothing to challenge that image, the skies were empty and no shadows could be seen speeding across the land. Least of all in central NJ, a land reputed to be sanitized of nature.

 

Awareness of man’s place in the natural world and his impact on the environment began to be studied in universities like Rutgers College of Agriculture and Environmental Science in the late 1960s, which opened the door to a new era of enlightenment and activism. Books like Silent Spring and Sand County Almanac were the seeds sown to nourish the idea humans were not apart from the cascade of life that flowed, uninterrupted, from the soil and water to apex predators, like the eagle and peregrine falcon.

 

Eagle restoration in NJ began in earnest in the 1980s accompanied by an ever-growing accumulation of study data gleaned by observation and scientific research. Still the view of intimate eagle relationships and social interaction remained at a sky-high level and not well published for public consumption.

 

Eagles kept their privacy and legacy reputation as solitary creatures intact until the advent of live cameras, genetic mapping, banding and miniature transmitters.

 

As far as the public is concerned, it is the live cams, set above some nests and broadcast on the internet, that provide non-stop coverage of eagle antics in the aerie to feed an insatiable voyeuristic human appetite.

 

The forums that accompany these spy cams generate lively conversation and together, have created a whole new audience beyond those immersed in all things nature. People who can’t tell a snow goose from a snow bunting, are now addicted a wildlife reality show.

 

And addictive it is, as viewers and scientists both learn what goes on behind nest walls. As voyeurs watch, they see behaviors that mimic human responses. The eagle screaming at its partner could very well be a replay of last night’s argument with their spouse, “who never listens to a word I say”.

 

Cumulatively, what we see are personality differences among pairs of eagles, where before we had only anecdotal observations and generalized conclusions. We knew the eagle as a solitary warrior and now we see a great raptor dedicated to its mate and offspring. When we look closely into the world of an eagle we see a glimpse of ourselves.

 

Locally the intrigue has been riveting, with a ringside seat to a female ingénue coming between a mated pair, a harassing hawk obliterated by an annoyed eagle and tender moments of dedicated parents doting on their precious offspring.

 

We watch as courting behavior evolves into mating, egg laying and alternate job sharing, as pairs relieve each other from brooding duty. We see and hear the wailing of one parent when their mate fails to return, either through injury or death. You cannot be unaffected by that sight and sound as what you experience is automatically translated into human terms.

 

A live cam from another state showed a female eagle covering her three, day old chicks, as a late spring snowstorm raged. That moment was tender enough but then the male positioned himself alongside the female, resting his head on her shoulder and spread his wings to shield his mate and their chicks from the heavy snowfall; our collective tears flowed.

 

Recently an eagle that prematurely fell from a local nest was rescued, examined and found to be in good health. Given that one parent went missing in the weeks prior to the fall and it was impossible to return the bird to the nest, a decision was made to place that eagle in another nearby nest.

 

Armed with the knowledge of intimate eagle behavior and demonstrated dedication to their young, fostering that young eagle was done with full confidence it would be accepted and thrive.

 

Only time will tell but so far, so good. Years hence, if you see a bald eagle bearing a green leg band, engraved with E68, you now know the rest of the story. Consider an eagle that was killed, June 2015, in upstate NY by a car, was banded 38 years prior! So, eagle E68, affectionately named, Rose, and her foster siblings, E66 and E67 have a good chance to be seen by your grandchildren!

 

Author Joe Mish has been running wild in New Jersey since childhood when he found ways to escape his mother’s watchful eyes. He continues to trek the swamps, rivers and thickets seeking to share, with the residents and visitors, all of the state’s natural beauty hidden within full view. To read more of his writing and view more of his gorgeous photographs visit Winter Bear Rising, his wordpress blog. Joe’s series “Nature on the Raritan, Hidden in Plain View” runs monthly as part of the LRWP “Voices of the Watershed” series. Writing and photos used with permission from the author.

River Dancing with Ferries

Article and photos by Joe Mish

The powerful watery hand of the river reaches up in a wild mood to toss its dance partner skyward.

A canoeist might think of the river as a dance partner whose energy flow and mood sets the tone for the style of dance to be performed. A waltz, a tango or lambada are all on the river’s dance card to be enjoyed or sat out. Any paddler who wishes to partner with the river and enjoy the wide variety of watery tunes must have practiced moves, familiarity with boat and paddle and an ability to read the subtle nuance of wave patterns reflecting the structure of the hidden riverbed.

While high water and low water dances may be thoroughly enjoyed, I originally coined the term ‘river dance’ to describe the convoluted navigation required to follow the low water flow typically occurring on the South Branch during the summer.

Each year, winter ice and downed trees reshape the river bed to form new shoals, islands and channels which leave the scars and wrinkles that figure so prominently when water levels drop in the summer.

Low water and limited paddler skill do not preclude a float trip down the river as a grounded boat may be dragged across exposed shoals and shallows to deeper water.

Plodding along does not equate to river dancing but it gets the job done.

The joy of river dancing comes into play when the paddler, perhaps in a solo canoe, seeks out cuts and channels that hold just enough water to support the boat. Following the deepest water when the riverbed becomes a player in the band may mean tracing a convoluted course from one side of the river to the other. This shallow water navigation strategy is directly applicable to high, fast water flowing through boulder strewn stretches of river. Both situations require reading the wave patterns to determine the best path beyond the next immediate move.

One fast water section where I launch always has sufficient water from bank to bank for about a hundred yards. During lower water levels the left side and most of the middle of the riverbed is almost exposed and not navigable except for a narrow cut quite close to river right. As is often the case, a direct downstream approach to the deep water cut is not possible because the water directly above the cut is too shallow or has a downed tree blocking that approach.  As the situation and solution is obvious from a long distance upstream there is time to gradually approach the passage at a forty-five degree angle and then straighten the boat with a quick draw to follow perfectly in the strong deep current.

Further downstream near a bend in the river, a long treeless island appears, the right side of which is navigable in a channel that runs along the opposite bank. As the channel nears the end of the island, it flattens out and disappears. The water then seeks to run at an angle across the raised center section of the riverbed. The riverbed here appears to have a profile of a typical crowned roadway and the main channel reappears to run just along the tip of the island. Crossing the riverbed from one channel to the other requires a good look at the wave patterns. If you know nothing, then just observe the differences in the wave patterns.  In very shallow water they are almost indistinguishable but with practice differences will become apparent. Generally, flatter waves reflect deeper water. Or simply put, the less busy the surface of the water appears, the further above the riverbed it is. Don’t be surprised sometimes to find the water too shallow despite choosing the most favorable pathway.  Crossing an ultra shallow channel as described, may require the paddler to shift their weight forward to create an absolute neutral balance in the boat to avoid a fore or aft drag. Shifting paddler weight to one side in a typical shallow V-shaped hull will often decrease the depth the hull protrudes into the water and might make the difference between stepping out and dragging the boat or barely floating by with some slight scraping.

One of the most useful skills a paddler can acquire is the ability to ferry. A ferry is a method which allows cross stream travel in swift water with minimal paddler effort.

I usually stop to do a ferry whenever fast water presents itself just because it is so much fun and feels like magic. A ferry is based on the premise that a canoe becomes invisible to the current when perfectly aligned with the water flow. A canoe can be paddled upstream and held in position without any downstream travel when the hull is parallel to the water flow. Eventually when the hull begins to angle across the current the boat will be washed downstream. The speed with which the boat is carried downstream depends on the angle of the boat to the water flow. The greater the hull angle, the greater the surface area the current has to push against. A ferry is possible when the boat is angled into the current and that angle held steady by the paddler. Very fast water requires a shallow angle to be held, the slower the water speed the greater the angle needed to perform a ferry.

Often the current speed changes as you cross the river and the boat’s position must be adjusted appropriately. The magic occurs when you realize the boat, held at the proper angle, begins to cross the current from one side to the other without any downstream travel!

A ferry can be accomplished with the bow upstream or downstream. Simply angle the upstream end of the boat in the direction of the shore you wish to reach. In very fast water you might suddenly find yourself at the precipice of a ledge with no chance of safe passage. Not to worry. Straighten the hull with any and all paddle strokes that might be applicable, hold the boat steady. Choose your angle and be amazed as your boat becomes a magic carpet to drift you above the ledge, perpendicular to the current, and on to a safe passage or convenient eddy.

Do not despair when summer water levels fall and most folks abandon the thought of paddling the local rivers. Armed with patience and agility you might try to dance with the river on her terms.

Author Joe Mish has been running wild in New Jersey since childhood when he found ways to escape his mother’s watchful eyes. He continues to trek the swamps, rivers and thickets seeking to share, with the residents and visitors, all of the state’s natural beauty hidden within full view. To read more of his writing and view more of his gorgeous photographs visit Winter Bear Rising, his wordpress blog. Joe’s series “Nature on the Raritan, Hidden in Plain View” runs monthly as part of the LRWP “Voices of the Watershed” series. Writing and photos used with permission from the author.

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